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Joseph HAYDN
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Music now available: |
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| Variations in C | technically simple, but musically of high quality | |
| Variations in D | ||
| 01 Air with variations | Sonata for piano duet: Il maestro e
lo scolare (The teacher and the pupil) |
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| 02 Tempo di Menuetto | ||
| 01 | 07 | The 12 Pieces built into a
Musical Clock made in 1792 Click here for more about Musical Clocks |
| 02 | 08 | |
| 03 | 09 | |
| 04 | 10 | |
| 05 | 11 | |
| 06 | 12 | |
| 01 Andante | Trio in D Hoboken XV/7 (1785) arranged for piano solo |
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| 02 Andante | ||
| 03 Allegro molto | ||
| 01 Allegretto | These 12 Pieces were composed for a Musical Clock which was made in 1793 |
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| 02 Andante | ||
| 03 Vivace | ||
| 04 Minuet | ||
| 05 Allegro ma non troppo | ||
| 06 Fugue | ||
| 07 March | ||
| 08 Andante | ||
| 09 Allegretto | ||
| 10 Allegro | ||
| 11 Minuet | ||
| 12 Presto | ||
I can remember as a teenager sightreading through the Haydn piano
sonatas. This was pleasant enough, especially as they were technically
sufficiently easy for me to be able get quite a lot of the notes right
at a reasonable speed — at least in the slow movements. But
reading them once or twice seemed to me then to be what they merited,
and I put them aside to return to the serious business of learning
Mozart and Chopin and Bartok.
Twenty years later I came across Peter Yates's remarkable book An
Amateur at the Keyboard (George Allen & Unwin, 1964).
Reading this book was a life-changing experience. Re-reading it now I
feel that it is as pertinent as ever: I would recommend it to anyone
interested in music, but especially to those to whom it is particularly
addressed — amateur pianists. Peter Yates's wide-ranging
enthusiasms are infectious, and one effect on me was to make me look
seriously at a lot of great music which I had previously ignored, for
example the keyboard works of Francois Couperin and of CPE Bach
(incidentally necessitating buying a harpsichord and a clavichord!).
And of course another effect was to reintroduce me to Haydn's piano
music, and this time to start to appreciate its subtlety and depth.
Since then I have become totally devoted to his sonatas, and so you may
be surprised not to find any here; but of course they are easy to find
elsewhere. Among Haydn's lesser known solo keyboard works are many sets
of variations. I have a Polish collection of 14 of these assembled and
edited by Zbieniew Sliwinski (PWA, 1976) which range from the
tecnically simple but charming C major set (HobXVII/15), which you will
find here, to the familiar concert work in F minor (Hob XVII/6). But
there are others. I found the D major set also included on this page
among set pieces for a Trinity College exam, and I have several others
from similar sources. There is a very full discussion of what is known
about the manuscripts and published editions of Haydn's keyboard music
and works ascribed to him in A Peter Brown's treatise Joseph
Haydn's Keyboard Music (Indiana University Press, 1986)
The other major source of Haydn keyboard music for me has been the
Piano Trios: 31 of these are included in the Peters Edition. You may be
lucky enough to have violinist and cellist friends to play them with
you. But many of these trios, especially the earlier ones, belong to
the tradition of "Sonatas for pianoforte with accompaniment for violin
and thorough bass", so that the string parts are largely optional. I
have found it very gratifying to play the piano parts, with minor
adjustments, as piano solos: potentially we have here a large further
set of Haydn "Sonatas", and of course the musical content is of similar
stature to the Sonatas written as solo works. One of these arrangements
is included here, and I have 5 more ready to add to the collection.
Perhaps eventually you will find all 31 here...